{"id":10,"date":"2022-06-29T16:21:15","date_gmt":"2022-06-29T16:21:15","guid":{"rendered":"https:\/\/michaeloliva.net\/?page_id=10"},"modified":"2022-06-30T06:42:08","modified_gmt":"2022-06-30T06:42:08","slug":"listen","status":"publish","type":"page","link":"https:\/\/michaeloliva.net\/index.php\/listen\/","title":{"rendered":"Listen"},"content":{"rendered":"

UNDER RECONSTRUCTION<\/strong><\/p>\n

Given recent events, and an exciting new change in direction, this page is still a work in progress…<\/span><\/span><\/span><\/p>\n

Tracks and albums will now be available on Bandcamp<\/strong> here.<\/a><\/p>\n

If you’re desperate to hear my voice, you can here me and cellist\/composer extraordinaire Hannah Marshall chatting about the “sound of London” toward the end of her excellent track “Sites”, available on her Bandcamp page here <\/a><\/p>\n

Please come back at some time in the future…<\/span><\/span><\/p>\n

Sound clips<\/strong><\/p>\n

Tanpura with Hannah <\/span><\/strong>for cello and electronics <\/span><\/p>\n

cello – Hannah Marshall<\/p>\n

electronics – Michael Oliva<\/span><\/p>\nhttps:\/\/michaeloliva.net\/wp-content\/uploads\/2022\/06\/TanpuraWithHannah.mp3<\/a><\/audio>\n

 <\/p>\n

Valedictio <\/span><\/strong>from Requiem <\/span><\/p>\n

choir – Mosaic, alto flute – Carla Rees, organ – Tom Winpenny, electronics – Michael Oliva<\/p>\nhttps:\/\/michaeloliva.net\/wp-content\/uploads\/2022\/06\/Valedictio.mp3<\/a><\/audio>\n

 <\/p>\n

Moss Garden <\/span><\/strong>for bass flute and electronics <\/span><\/p>\n

bass flute – Carla Rees, electronics – Michael Oliva<\/p>\nhttps:\/\/michaeloliva.net\/wp-content\/uploads\/2022\/06\/Moss-Garden.mp3<\/a><\/audio>\n

 <\/p>\n

Apparition and Release <\/span><\/strong>for quartertone alto flute and electronics<\/span><\/p>\n

alto flute – Carla Rees, electronics – Michael Oliva<\/p>\nhttps:\/\/michaeloliva.net\/wp-content\/uploads\/2022\/06\/apclip.mp3<\/a><\/audio>\n

 <\/p>\n

The Girl Who Liked To Be Thrown Around <\/span><\/strong>multimedia opera <\/span><\/p>\n

soprano – Natalie Raybould, alto flute – Carla Rees, electronics – Michael Oliva<\/p>\nhttps:\/\/michaeloliva.net\/wp-content\/uploads\/2022\/06\/Girlclip2.mp3<\/a><\/audio>\n

 <\/p>\n

Black and Blue <\/span><\/strong>multimedia opera <\/span><\/p>\n

tenors – Darren Fox, Andy Morton<\/p>\n

alto flute – Carla Rees, cor anglais – Paul Goodey, bass clarinet – Massimo di Trolio<\/p>\nhttps:\/\/michaeloliva.net\/wp-content\/uploads\/2022\/06\/BBact2clip.mp3<\/a><\/audio>\n

https:\/\/michaeloliva.net\/wp-content\/uploads\/2022\/06\/BBclip.m4v<\/a><\/video><\/div>\n

 <\/p>\n

Traum <\/span><\/strong>for soprano saxophone and electronics<\/span><\/p>\n

saxophone – Tom Elliott, electronics – Michael Oliva<\/p>\nhttps:\/\/michaeloliva.net\/wp-content\/uploads\/2022\/06\/Traum.mp3<\/a><\/audio>\n

 <\/p>\n

Ultramarine <\/span><\/strong>for clarinet, MIDI piano and electronics <\/span><\/p>\n

clarinet – Sarah Watts, electronics – Michael Oliva<\/p>\nhttps:\/\/michaeloliva.net\/wp-content\/uploads\/2022\/06\/UltramarineClip.mp3<\/a><\/audio>\n

 <\/p>\n

Into the Light<\/span><\/strong> for oboe, cor anglais and piano<\/span><\/p>\n

oboe\/cor anglais – Paul Goodey, piano – Sally Mays<\/p>\nhttps:\/\/michaeloliva.net\/wp-content\/uploads\/2022\/06\/intoclip.mp3<\/a><\/audio>\n

 <\/p>\n

Pavan<\/span><\/strong> for solo cello<\/span><\/p>\n

cello – Hannah Marshall<\/p>\nhttps:\/\/michaeloliva.net\/wp-content\/uploads\/2022\/06\/pavclip.mp3<\/a><\/audio>\n

 <\/p>\n

Torso<\/span> <\/strong>for wind orchestra <\/span><\/p>\n

RNCM Wind Orchestra – conductor Timothy Reynish<\/p>\nhttps:\/\/michaeloliva.net\/wp-content\/uploads\/2022\/06\/Torso.mp3<\/a><\/audio>\n

\n","protected":false},"excerpt":{"rendered":"

UNDER RECONSTRUCTION Given recent events, and an exciting new change in direction, this page is still a work in progress… Tracks and albums will now be available on Bandcamp here. If you’re desperate to hear my voice, you can here me and cellist\/composer extraordinaire Hannah Marshall chatting about the “sound of London” toward the end […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"post-thumbnail":false,"twentytwenty-fullscreen":false},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/michaeloliva.net\/index.php\/author\/madestrangegmail-com\/"},"uagb_comment_info":0,"uagb_excerpt":"UNDER RECONSTRUCTION Given recent events, and an exciting new change in direction, this page is still a work in progress… Tracks and albums will now be available on Bandcamp here. If you’re desperate to hear my voice, you can here me and cellist\/composer extraordinaire Hannah Marshall chatting about the “sound of London” toward the end…","_links":{"self":[{"href":"https:\/\/michaeloliva.net\/index.php\/wp-json\/wp\/v2\/pages\/10","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michaeloliva.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/michaeloliva.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/michaeloliva.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michaeloliva.net\/index.php\/wp-json\/wp\/v2\/comments?post=10"}],"version-history":[{"count":8,"href":"https:\/\/michaeloliva.net\/index.php\/wp-json\/wp\/v2\/pages\/10\/revisions"}],"predecessor-version":[{"id":116,"href":"https:\/\/michaeloliva.net\/index.php\/wp-json\/wp\/v2\/pages\/10\/revisions\/116"}],"wp:attachment":[{"href":"https:\/\/michaeloliva.net\/index.php\/wp-json\/wp\/v2\/media?parent=10"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}